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外国语学院本科生英语专业毕业论文装订顺序(MLA格式)

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其它不明事项请查看临沂大学外国语学院英语专业本科生学位论文格式规定

2016届分类号:I106

单位代码:10452

临沂大学

毕业论文(设计)

从后现代主义视角看《等待戈多》的

反戏剧手法

姓名李四

学号

AStudyof"Anti-play"TechniquesonWaitingforGodotfromthePerspectivesofPostmodernism

AThesisSubmitted

toForeignLanguagesSchoolof

LinyiUniversity

inPartialFulfillmentoftheRequirements

fortheDegreeofBachelorofArts

ByYournameSupervisor:April10,2016

Acknowledgements(TimesNewRoman三号粗体居中)

Iwouldliketothankallthosewhohavegivenmetheirgeneroushelps,mitmentandenthusiasm,whichhavebeenthemajordrivingforcetopletethecurrentpaper.等

Abstract(TimesNewRoman,三号,粗体,居中)

SamuelBarclayBeckett(1906-1989)wasanIrish-bornpoet,novelistandplaywright,andisadmittedlyregardedasoneofthegreatestmastersintheliteraryworldof20thcentury.HismasterpieceWaitingforGodot,iswidelyregardedasaclassicoftheTheatreoftheAbsurd.Thewriterofthisthesistriestounderstandthoseanti-playtechniquesfromtheperspectivesofpostmodernismandperceivethespiritofpostmodernismthattheplayowns.Here,thisthesisfocusesonfourtypicalfeaturesofpostmodernism:thedissolutionofthesubject,depth-less-ness,indeterminacy,parodyandirony.BytheanalysisofBeckett'santi-playtechniquesinWaitingforGodot,wecannotonlyperceivehowheoverthrowstraditionaldramaticregulationsthoroughlyandextraordinarilybutalsoexperiencethespiritofpostmodernismthatheconveystousasaprecursorofpostmodernism.TheprominenttechniquesofBeckettnotonlyhaveinimitableartisticvalueinmodernismmovement,whichissurgingforwardathistimesbutalsoleadsliteraryexcellenceinthenewlyarisenpostmodernism.

Keywords:SamuelBeckett,WaitingforGodot,anti-play,postmodernism

摘 要(此处为宋体,小二号,粗体,居中)

本文作者尝试从后现代主义的视角去认识《等待戈多》的反戏剧手法,感受贝克特通过此剧所传达的后现代主义精神.这里,本文关注了四个典型的后现代主义特征,它们分别是:主体的消失,深层模式削平,不确定性,戏拟和反讽.通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆,也体会到他作为后现代主义的先驱所传达给我们的后现代主义精神.贝克特高超的艺术手法不仅在风起云涌的现代主义文学运动中具有独特的艺术价值,而且在刚刚兴起的后现代主义文学的形式革新中独领 .

关 键 词:塞缪尔·贝克特,《等待戈多》,反戏剧,后现代主义

TableofContents

Acknowledgements等i

Abstractii

摘 要iii

TableofContentsiv

Introduction1

ChapterOneTheTheoreticalPremises3

1.1TheDissolutionoftheSubject5

1.2Depth-less-ness5

1.3Indeterminacy6

1.3.1IndeterminacyoftheTheme6

1.3.2IndeterminacyofCharacters7

1.3.3IndeterminacyofthePlot7

1.3.4IndeterminacyoftheLanguage10

1.4ParodyandIrony14

ChapterTwoDehumanizedCharactersandPairingRelationshipsinWaitingforGodot17

ChapterThreeDirectExpressioninWaitingforGodot20

3.1EmptyStageandMuddle-headedCharacters23

3.2DisorderedTemporalStructure30

3.3DevaluedLanguageandSilenceAesthetics34

ChapterFourThe"Indeterminacy"inWaitingforGodot40

4.1IndeterminacyoftheCharacters43

4.2IndeterminacyoftheTheme45

4.3IndeterminacyofthePlot50

ChapterFiveWaitingforGodot:JuxtapositionofComedyandTragedy55

Conclusion57

WorksCited60

Introduction

SamuelBarclayBeckett(1906-1989),anIrishnovelistandplaywright,isadmittedlyregardedasoneofthegreatestmastersintheliteraryworldof20thcentury.In1969,hewasawardedtheNobelPrizeforLiteraturebyrightofhiseminentplay,WaitingforGodot,whichhasinfluencedlatergenerationsofcontemporaryplaywrightsthroughouttheworld.ActuallyBeckettconsideredhimselfamuchbetternovelistandhethoughtofhisplaysasdiversionsundertakenattimeswhenworkonhisfictionhadbroughthimtoacreativeimpasse,butsinceWaitingforGodotwasfirstperformedinParison5January1953,thegreaterpartofhisliterarycareerhasresultedinhisspecialformofwritingforthetheatre.

Theplaycontainstwoactsinwhichtwotramps,VladimirandEstragon,waitforsomeonenamedGodotwhoissupposedtokeepanappointmentwiththem.Theyarejoinedbyamanandhisservant,PozzoandLucky,whostaywiththembriefly,thencontinueontheirunspecifiedway.AboyesattheendofthefirstacttotellVladimirandEstragonthatMr.Godotwillnotethatday,butmostsurelythenext.Atreewhichhasbeenbareofleavesistheonlysetting,andamoonrisestosignifythatdayhasendedandnighthaseasthefirstactends.Inthesecondact,thetreemiraculouslysproutsafewleavesbutnothingelsehaschangedforVladimirandEstragon.PozzoandLuckyreturnandthenleave,theboyesagainandrepeatsthesameinformation.VladimirandEstragonaredisappointedandconsidermittingsuicide,buttheyevenhavenotgotaropestrongenoughtohangthemselves.Theyspeakofleavingforseveraltimesbuttheydonotmove.Themoonesupagain,andthecurtainfallsasthetwomenstandsilentlyfacingtheaudienceinattitudesofsolemndignity,displayingbothresignationanddejection.

Thethesisconsistsofthreeparts.PartOneisanintroductiontoSamuelBeckettandWaitingforGodot,theresearchbackground,thereasonsandpurposeofstudyingWaitingforGodotfromtheperspectivesofpostmodernism.Pa

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